Grant Tomlinson - Lutemaker
Renaissance and Baroque Lutes

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Instrument Catalogue & Prices  - 2008

Six course lutes (Section 1)

Ten course lutes

Archlutes

Six course lutes (Section 2)

Eleven course lutes

Theorbo

Seven, Eight & Nine course lutes (Section 1)

Thirteen course lutes (Section 1)

Seven, Eight & Nine course lutes (Section 2)

Thirteen course lutes (Section 2)

(Six course lutes)
1)  6 course a' lute, 9 ribbed back
    Low-pitch a'.  May also be tuned to modern pitch a'.
    String length: 55.7 cm.
Based on a design developed by Vancouver lutemaker Ray Nurse (after paintings by Marziale, Veneto and Bellini).  9 ribs of bird's-eye maple or slabsawn curly ash.  Neck, fingerboard, peg-box and edge binding of Swiss pear.  Fingerboard edges and points of mountain mahogany.  As an alternative, this instrument may also be built with the fingerboard overlapping into the soundboard area, a detail seen in many paintings of early 6 course lutes.

$ 4800.00 US

Front view of a 6 course a' lute, 9 ribbed back - Grant Tomlinson Lutemaker  Back view of a 6 course a' lute, after paintings by Marziale, Veneto and Bellini - Grant Tomlinson Lutemaker  Side view of a 6 course a' lute, 9 ribbed back - Grant Tomlinson Lutemaker 
Lute rose pattern - Grant Tomlinson Lutemaker  Neck, fingerboard, peg-box and edge binding of Swiss pear - Grant Tomlinson Lutemaker 

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(Six course lutes)
2)  6 course g' lute, 9 ribbed back
    Modern pitch g'.  May also be tuned to low-pitch a’.
    String length: 59.5 cm. or 60 cm.
My own design, based on the woodcut frontispiece of the 1536 Marcolini edition of Francesco da Milano, and also drawing from elements of the back cross sections of the 9 ribbed Laux Maler lutes in Nurnberg and Prague, and the 9 ribbed Magno dieffopruchar 6 course lute in the Beare's collection.
9 ribs of slabsawn curly ash or bird’s-eye maple.   Neck, fingerboard, peg-box and edge binding of Swiss pear.  Fingerboard edges and points of mountain mahogany.  As an alternative, this instrument may also be built with the fingerboard overlapping into the soundboard area, a detail seen in many paintings of early 6 course lutes.

$ 4900.00 US

My own design, based on the woodcut frontispiece of the 1536 Marcolini edition of Francesco da Milano, Grant Tomlinson Lutemaker  Neck, fingerboard, peg-box and edge binding of Swiss pear, Grant Tomlinson - Lutemake  Back view of 9 ribs of slabsawn curly ash or bird’s-eye maple,  Grant Tomlinson - Lutemaker 
End view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker  Side view of 9 ribs of slabsawn curly ash or bird’s-eye maple, Grant Tomlinson - Lutemaker 
9 slabsawn curly ash ribs.

Front view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker  Back view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker  Side view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker 
End view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker  9 slabsawn curly ash ribs.
Fingerboard overlaps into the soundboard area.

Front view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker  Back view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker  Side view of 6 course g' lute, 9 ribbed back, Grant Tomlinson - Lutemaker 
9 bird's-eye maple ribs.
Fingerboard overlaps into the soundboard area.

Intricate rose design, Grant Tomlinson - Lutemaker           Intricate rose design, Grant Tomlinson - Lutemaker 

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